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Kelly Hall-Tompkins

Violinist

“A tonal mastery, a technical command, and a strength of personality.” – Fanfare Magazine

Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and for her “tonal mastery” (BBC Music Magazine) and “searing intensity” (American Record Guide), violinist Kelly Hall-Tompkins is forging a dynamic career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize as well as a Concert Artists Guild Career Grant, Ms. Hall-Tompkins has appeared as soloist with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Chamber Orchestra of New York, and a Brevard Festival Orchestra under the baton of Keith Lockhart, in addition to numerous concerts and recitals in cities around the world. For thirteen months on Broadway, Ms. Hall-Tompkins was the “Fiddler,” violin soloist, for the Bartlett Sher production of “Fiddler on the Roof,” with numerous solos written especially for her. The New York Times hailed her in a feature article as holding the title role, together with dancer Jesse Kovarsky.

Ms. Hall Tompkins received an Honorary Doctorate from the Manhattan School of Music, her alma mater, in 2016, and also delivered the Commencement address. She is also one of three 2017 recipients of the Sphinx Medal of Excellence, which was presented at the US Supreme Court by Justice Sotomayor. She earned a Master’s degree from the Manhattan School under the mentorship of Glenn Dicterow, concertmaster of the New York Philharmonic.  While there, she was concertmaster of both of the school’s orchestras. While at Eastman she won the school’s prestigious Performer’s Certificate Competition, several scholarship awards from the New York Philharmonic, and was invited to perform chamber music on the school’s Kilbourn Concert Series with members of the faculty.

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New York Today: Kelly Hall-Tompkins, a New Yorker of the Year

Ms. Hall-Tompkins earned acclaim last year as the fiddler in the Broadway revival of “Fiddler on the Roof.” But more than a decade ago, well before she could have imagined landing the coveted violin soloist gig, she was playing chamber music in soup kitchens … READ MORE …