Mezzo-Soprano, Opera, Vocalist
“a young mezzo- soprano whose voice is darkly complex and mysteriously soulful” – LA Times
Mezzo-soprano Laurie Rubin has received high praise from The New York Times chief classical music critic Anthony Tommasini, who wrote that she possesses “compelling artistry,” “communicative power,” and that her voice displays “earthy, rich, and poignant qualities.”
On October 23, 2012, Seven Stories Press published Rubin’s memoir, Do You Dream in Color? Insights From a Girl Without Sight. Recounting her experiences from childhood through the rise of her career as an opera singer, Rubin shows how her determination to continually surpass and redefine others’ expectations, has enabled her to defy the naysayers who told her that she would never experience romance, have a real job, live independently, much less ski, design jewelry or fulfill her ambition to sing on stage.
Ms. Rubin has performed a number of operatic roles, including the title role in Rossini’s La Cenerentola, Mrs. Noye in Britten’s “Noye’s Fludde,” under the baton of Dr. Samuel Wong, the lead role of Karen in Gordon Beeferman’s The Rat Land at New York City Opera’s VOX Festival, Penelope in Monteverdi’s The Return of Ulysses at the Greenwich Music Festival and Elle in Poulenc’s The Human Voice at the Greenwich Music Festival and the Ohana Arts Festival. Ms. Rubin has also performed concerts of new music with The Chamber Music Society of Lincoln Center. She has collaborated with and premiered works by composers John Harbison, Gabriela Lena Frank, Keeril Makan, Bruce Adolphe, Noam Sivan and Gordon Beeferman.
A co-founder and co-artistic director of Musique a la Mode Chamber Music Ensemble, which has a concert series in Manhattan’s East Village, Ms. Rubin is also one of the founding members of the baroque ensemble Callisto Ascending which has performed concerts at Lincoln Center. In addition, she is the co-founder and associate artistic director of Ohana Arts, a performing arts festival and school in Honolulu, Hawaii.